
So I couldn't help but wonder: If Worlds Within Worlds was a comic that was later turned into a TV show, what would comic and TV show be like? What would change?
And as I am entranced by such metatextual examinations, I had to write this. I wrote it in about a day, which for me is record time. In this segment, the producers/head writers of the TV series get together to talk to the writer and artist of the comic. And much fun is had by all. ≈5100 words.
( The Interview, Part One: Producers, Writers, Artists )
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This is essentially "How She Will/How Will She" reworked -- it ended up being three times longer and three times creepier. Title taken from "Girl Anachronism" by The Dresden Dolls, because it really is Keiko's theme.
Independent action and its consequences. R [abuse, humiliation, themes of control, nonconsensual underage sex], 3,016. ( Not the Carefulest of Girls )
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Sleepless in Paragon. PG [Depression, inner demons.], 2,138. ( The Way )
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A ten-year-old learns the meaning of empathy. PG/PG-13, 661. ( Good At What She Does )
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Yelena leaves home and journeys to the estate of her future husband, as all good brides must. R [implied sex], 1,383. ( Cold )
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Saiseki gets confrontational. PG-13, 1,432. ( Erosion )
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I'm gradually posting installments of a short story collection here that's centered around the young superheroine Keiko Mitsugi (Ronin) in Worlds Within Worlds - currently, the pieces range from a little over 200 words to just under 2,000, which is probably a good ballpark figure for how the rest of the series is going to go.
I'd advise not reading these stories if you're uncomfortable with dark/mature themes, possible porn, psychic ninja antics, or overuse of the present tense.
That being said, we're all a lovely bunch of disturbed individuals here. So do read and enjoy, won't you?
The birth of Keiko. G, 228. ( The Snow's Daughter )
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